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An Extraordinary Find in a Dublin Library links Bram Stoker to The Sailor's Murder

The Guardian article shows how writers have been drawn to The Sailor's Murder, one of two historic murders to have taken place in Thursley (see links at the bottom of this article).


Gibbet Hill by Bram Stoker is published by The Rotunda Foundation on 26 October. Paul McKinley’s exhibition Péisteanna is now on at Casino Marino, Dublin. More information on the Dublin City Council Bram Stoker festival can be found at bramstokerfestival.com


Guardian article:

Reader stumbles on Dracula’s ancestors in a Dublin library


The unknown Bram Stoker story Gibbet Hill, published soon before the author began working on Dracula, has eerie echoes of his vampire classic


by Ella Creamer, Sat 19 Oct 2024


In a Dublin library once frequented by James Joyce and WB Yeats, beneath a turquoise and white domed ceiling and surrounded by oak shelving, Brian Cleary stumbled across something by Dracula author Bram Stoker he believed no living person had ever read.

Cleary, who had taken time off from his job at a maternity hospital after suffering sudden hearing loss, was looking through the Stoker archives at the National Library of Ireland when he came across something strange. In a Dublin Daily Express advert from New Year’s Day 1891 promoting a supplement, one of the items listed was “Gibbett Hill, By Bram Stoker”. He had never heard of it, and went searching for a trace. “It wasn’t something that was Google-able or was in any of the bibliographies,” he said.


Cleary tracked down the supplement and found Gibbet Hill. “This is a lost story,” he realised. “I don’t think anyone knows about this.” The story follows an unnamed narrator who runs into three children standing by the memorial of a murdered sailor on Gibbet Hill, Surrey, which is also referred to in Dickens’ 1839 novel Nicholas Nickleby.


Together, the four walk to the top of Gibbet Hill. Distracted by the view, the narrator loses sight of the children. He takes a nap among some trees, and wakes to see the children a short distance away, before a snake passes over his feet towards the children, who appear able to communicate with and control the snake. Later, the children attack the narrator. The story culminates with the snake wriggling out of the narrator’s chest, gliding away down the hillside.


Cleary approached Stoker biographer Paul Murray to authenticate the story. Though Murray was excited by the finding, he wasn’t surprised – he had already discovered three similar stories, so he knew there was more Stoker material out there. But “as I learned more about the story I became more and more intrigued, because it was published – and almost certainly written – in 1890,” he said. “That’s the year that Bram Stoker begins working on Dracula”.


The quintessential gothic horror novel “didn’t come out of nowhere”, said Murray, who has been researching Stoker’s development from the mid-1870s to Dracula’s publication in 1897. “To me, Gibbet Hill was a very exciting new piece of that jigsaw. It fitted very well into my theory of the long gestation of Dracula. And so this seemed to me to be a kind of waystation on that journey of over 20 years that Stoker spent evolving his fiction.”


Gibbet Hill has parallels with Dracula. There is the gothic imagery, a trinity of malevolent characters, and a description of eyes that “gleamed with a dark unholy light” – anticipating the eyes that “blazed with an unholy light” in Dracula.


Another thematic parallel is that of “reverse colonisation”, said Murray. In Gibbet Hill, two of the children are Indian. In Dracula, you have “the Count coming from Transylvania, which is on the borders of the known world at that time, coming back to threaten England”. While Dracula might be read as a critique of British imperialism, it is also a “reverse colonisation fantasy inviting the British to see themselves as potential victims”, wrote David Higgins in his book Reverse Colonization.


A book featuring the story, commentary and artwork by Paul McKinley is now being published by the Rotunda Foundation, the official fundraising arm of the Rotunda hospital where Cleary works. All proceeds will go to the newly established Charlotte Stoker Fund – named after Bram’s mother, who was a campaigner for deaf people – to fund research on risk factors for acquired deafness in newborn babies. An accompanying exhibition is showing at Casino Marino in Dublin, and the first public reading of the story will take place at the Dublin city council Bram Stoker festival.


It is “not very often” that a discovery of such magnitude is made, NLI director Audrey Whitty said. Yet she emphasises that “anybody’s capable” of a find like Cleary’s. “Who knows what lies undiscovered in any national library in the world?”


The story has also appeared in The New York Times:


A Fan Discovers a New Story by the Author of ‘Dracula’

The work by Bram Stoker, previously unknown to scholars, will be read and included in a book launched during Dublin’s annual Bram Stoker Festival. By Sarah Lyall

Published Oct. 19, 2024 Updated Oct. 20, 2024


The discovery left Brian Cleary “gobsmacked,” he said. “I wanted to turn around and shout, ‘Guess what I found?’” Ellius Grace for The New York Times


Brian Cleary, a clinical pharmacist in Dublin, was trawling through the archives at the National Library of Ireland a few years ago when he stumbled across something extraordinary: a virtually unknown short story by Bram Stoker, author of the Gothic masterpiece “Dracula.”


The story, a creepy tale of the supernatural called “Gibbet Hill,” had been published in a now-defunct Irish newspaper in 1890, but had not appeared in print or, it seemed, been mentioned anywhere since.


“I was just gobsmacked,” said Cleary, who works as the chief pharmacist at the Rotunda maternity hospital and has long been fascinated by Stoker. “I went and checked all the bibliographies, and it was nowhere. I wanted to turn around and shout, ‘Guess what I found?’ but there were proper researchers and academics there, and I was just an amateur.”

Indeed, the story wasn’t included in Stoker’s archival papers, and was unknown to scholars, said Audrey Whitty, the director of the national library. While it isn’t unusual for something unexpected to turn up in the library’s archives — a collection of 12 million items — Cleary’s discovery stands out for the way he made it, she said.


Cleary first saw a reference to “Gibbet Hill in a copy of the Dublin Daily Express published on New Year’s Day, 1891. Brian Cleary


He first spotted a reference to “Gibbet Hill” in a promotional advertisement in the Dublin Daily Express on New Year’s Day, 1891. Then he tracked down the special section in which the story actually had appeared — two weeks earlier, on Dec. 17, 1890 — and where it had been “hidden in plain sight,” he said.


The story takes place in Surrey, England, at a spot that became infamous when three men who had killed a sailor were hanged there in the 18th century. (A gibbet is a gallows.) In it, a young man goes for a stroll and comes upon a trio of eerie children — a boy “with hair of spun gold” and a wriggling mass of earthworms concealed in his clothes, and two pretty, dark-haired Indian girls.

The trio perform a strange ritual involving music and a snake (for starters), tie the man up and menace him with a sharp dagger. Though he passes out and isn’t sure what happens next — they are gone when he wakes up — the unsettling experience has repercussions that do not bode well for his future.

“Gibbet Hill” is a creepy little tale. It is also, according to Paul Murray, author of the biography “From the Shadow of Dracula: A Life of Bram Stoker,” and an expert on Stoker, “very significant” and “an important new addition to the canon.”


He then found the special section in which the story had appeared, published on Dec. 17, 1890. Brian Cleary


The story, and the book it will be included in, are to be unveiled to the public during Dublin’s annual Bram Stoker Festival, held this year on Oct. 25-28. (Ireland, a supremely literary nation, commemorates many of its writers with special festivals.)


Cleary said he hoped the book would draw attention to the breadth of Stoker’s work — in addition to “Dracula,” Stoker wrote more than a dozen other novels and several short story collections, and worked for many years as the manager of the Lyceum Theater in London.

“Gibbet Hill” was published at a pivotal moment in Stoker’s career, when the author was beginning work on “Dracula.” Many of the novel’s thematic preoccupations — the thin line between normalcy and horror; the shadowy transactions between the living and the dead; the elements of Gothic weirdness — show up in the story.


And in common with “Dracula,” Stoker presents the events of “Gibbet Hill” so naturally that he makes “the incredible seem credible,” Murray said. “It’s a story you can’t explain rationally, and yet it’s so well presented that it carries you along.”


Finally, it has a theme of colonial unease also expressed in other books from that era, like Wilkie Collins’s “The Moonstone," published some 20 years earlier: “the English fear of the threat coming from the periphery of the empire to exert revenge and disrupt English life,” Murray said. “It’s the idea that there would be this invasion of foreigners into England.”

For Cleary, there’s a more personal dimension to his interest in the story. In 2021, he woke up one morning to find that he had gone deaf in one ear. The discovery of “Gibbet Hill” was made after he got a cochlear implant and undertook a grueling program of auditory therapy, including listening to music in the library as he did his research for what he hopes will eventually be a novel with Stoker as a character. “I was like a baby learning to hear again,” he said.


The story will be read in public during Dublin’s annual Bram Stoker Festival, held this year on Oct. 25-28. Along with its back story, it will be included in a book as well. Ellius Grace for The New York Times


Cleary lives not far from the street where Stoker was born, Marino Crescent on the north side of Dublin, and passes Stoker’s old house frequently. But there are other connections between him and the author. By an odd confluence of events, “a thread of deafness” runs through the history of the Stoker family as well as his own story, Cleary said.


Stoker’s mother, Charlotte, was a social reformer and campaigner for the deaf. In 1863, she became the first woman to present a paper to the Statistical and Social Inquiry Society of Ireland, arguing that the state should pay for housing and education for deaf people. (Using the now-jarring language of the time, her paper was called “On the Necessity of a State Provision for the Education of the Deaf and Dumb of Ireland.”) In the small world of 19th-century Dublin, she had the support of Sir William Wilde, Oscar Wilde’s father, a renowned eye surgeon and polymath who had initiated a special census of the deaf in Ireland in 1851.

Deafness touched the lives of the Stokers in other ways. One of Bram’s brothers, George, published a paper on deafness in The Lancet medical journal; the wife of another of his brothers lost her hearing after taking malaria medication. Though he was omitted from the novel itself, a deaf character featured in the original notes Stoker kept for “Dracula.”

Proceeds from the sales of the book, Cleary said, will go to the newly founded Charlotte Stoker Fund at the Rotunda Foundation, which is associated with the hospital where he works. The money will finance research into risk factors for acquired deafness in newborn babies.


In the preface, Cleary writes about listening to lullabies from the library’s collection — streamed directly to his cochlear implant — while reading Stoker’s descriptions of the “eerie musical ensemble” in “Gibbet Hill” for the first time.


“A lot of things wouldn’t have happened if I hadn’t suffered from hearing loss,” he said.


Sarah Lyall is a writer at large for The Times, writing news, features and analysis across a wide range of sections.


The story provoked wide interest and it has been covered by the news media at home and abroad. This from the BBC:


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